This is a collection of huge depth and resonance. Its stimulus is a collection of photographs of the poet’s late father, then a young man, originally from colonial Sri Lanka, who was serving as a radio operator in an otherwise all white platoon in the 1939-45 desert war in North Africa. As for so many who came back from war to start or resume a family life, there was a great gulf of silence, an unwillingness to speak of those experiences. The collection begins and ends in an imaginative recreation of the life suggested in those photographs, many reproduced in this collection. There is connection with a much-loved father, but also a sense of the unknowable.

Speaking in both in the voice of the father and of the unknown photographer, poems explore the mix of male camaraderie and casual racism of that experience, but also the deep affection hinted at in the way the photographer has framed “Snowball” in his lens. From this imaginative core, poems move out to make connections with the remembered and known life of a father who died too soon, to self-reflections on the poet as remembrancer, creator and actor in the world. There are moving poems on the meaning of inherited objects – a paper-knife, letters – and inherited ways of being – the birdwatching that provides a rich source of imagery. The personal moves out to the resonances of what was, in its origins, a story of migration.  Here the father’s success in finding of a home in Yorkshire is seen to contrast sharply with the tragedies of migrant deaths in the face of fortress Europe.

This is a work of great beauty, whose lucid simplicity of language is married to a rich complexity of structure and the bird-flight of images that connect poem to poem. There is humour, too, in the revenant voice of the mother who inserts herself into the poet’s memory and demands in her “broad Yorkshire vowels […] ‘Why is your dad getting all the attention?’”

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‘The movement of Seni Seneviratne’s second collection The Heart of It is two-fold like that of the heart: here is a poet able to combine the personal in enchanting lyrics of desire with the political in poems that, through imaginative power, portray other lives – marginalised, brutalised, lost – as genuinely as her own. Seni speaks to us in a voice always natural, engaging, never pushing beyond the limits of authentic feeling but staying true to lived experience and, despite loss or heartache, always open to the outside world and its windows on the heart. The Heart of It is a tender, moving collection, full of passionate intensity and an unswerving faith in the power of reconciliation and love.’ Mimi Khalvati
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Wild-Cinnamon-and-Winter-Skin-cover-imageSeni Seneviratne’s debut collection offers a poetic landscape that echoes themes of migration, family, love and loss and reflects her personal journey as a woman of Sri Lankan and English heritage. The poems cross oceans and centuries. In ‘Cinnamon Roots’ Seni Seneviratne travels from colonial Britain to Ceylon in the 15th century and back to Yorkshire in the 20th Century; in A Wider View time collapses and carries her from a 21st century Leeds back to the flax mills of the 19th century; poems like ‘Grandad’s Insulin’, based on childhood memories, place her in 1950’s Yorkshire but echo links with her Sri Lankan heritage. /more

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Her poetry and short stories have been published in a variety of anthologies including ‘Out of Bounds’ (Bloodaxe) and ‘Red’ (Peepal Tree Press). Browse for more information and to order the books.

Her Wings of Glass
out of bounds
Flora Poetica
Forward poetry 2008